ATW NewsClips - London

Financial Times

The Merry Wives of Windsor
Sarah Woodward’s feisty Mistress Ford and Serena Evans’ excellent, mischievous Mistress Page are crucial to the handling of the play’s farcical set-pieces, says Sarah Hemming

2,000 Feet Away, Bush Theatre, London
The production captures well the rhythms and tone of the script, which often moves into simultaneous shouting as a deliberate tactic of ambiguity, writes Ian Shuttleworth

The Guardian

The reluctant propagandist
Declared unfit for military service, Dylan Thomas spent much of the war writing scripts. Here's what he got up to ...